![]() Serge Guilbaut and John O’Brian, (Duke University Press, 2017).Įxhibition review, Lygia Clark: The Abandonment of Art. “The Disorder and Progress of Brazilian Visual Culture in 1959” in Breathless Days, 1959-1960, eds. “Serpa, Portinari, Palatnik and Pedrosa The Drama of an “Artistic Moment” in 1951 Rio de Janeiro.” Diálogo (Contemporary Latino and Latin American Art Thematic Issue) Peer-reviewed journal. Making Art Concrete: Abstract Art from Argentina and Brazil in the Patricia Phelps de Cisneros Collection. Incendiary objects: An episodic history of the Museum de Arte Moderna, Rio de Janeiro,” in Art Museums of Latin America: Structuring Representation, eds Michele Greet and Gina Tarver. Making Art Concrete: Works from Argentina and Brazil in the Colección Patricia Phelps de Cisneros was recently featured in UCR Today: ī.A., University of California, Santa Barbara Before joining the faculty at UC Riverside, she was the Managing Editor of the Getty Research Journal, a peer reviewed scholarly publication. She has lectured at the Reina Sofia in Madrid, the Pinacoteca in São Paulo, the Universität Zürich, the University of Pittsburgh and the University of Chicago, among other venues. ![]() Le Blanc was co-curator of Making Art Concrete: Works from Argentina and Brazil in the Patricia Phelps de Cisneros Collection, an exhibition at the Getty Museum in September 2017 and part of the region-wide initiative, Pacific Standard Time: Los Angeles/Latin America. In the coming year, she’ll conduct archival research in Rio de Janeiro as a Fulbright Fellow. She is the Book Reviews Editor for Latin American and Latinx Visual Culture. She is currently at work on a book about that period entitled, Concrete and Steel: Artists in Industrial Brazil, in which she considers how a young avant-garde generation in Brazil’s cosmopolitan centers reimagined their relationship to the rapidly modernizing society in which they found themselves. Her scholarship addresses paradigms of abstraction, institutional histories, and global modernisms. Aleca Le Blanc is a scholar of modernism, specializing in Latin American art and architecture with a focus on Brazil.
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